Andreas Ottensamer made history as the youngest principal clarinetist ever appointed to the Berlin Philharmonic at age 21. Today, Andreas Ottensamer has established a career as a conductor, working with some of the world’s most renowned orchestras and opera houses.
Artist Playbook caught up with Andreas to discuss roots, reinvention, and the path to leadership.
What was it like growing up as the son of an icon at the Vienna Philharmonic?
Music surrounded me from my earliest days.
The clarinet was always there, but so were the piano and the cello. Those early experiences still shape how I listen and work today.
What did leaving Harvard for the Berlin Philharmonic teach you about risk?
Sometimes the biggest decisions are about trusting the next step. I had different possibilities in front of me, but the people around me encouraged me to believe it would work out.
What is it like to lead a section of the Berlin Philharmonic?
It’s fascinating to see how a large institution can operate with such musical detail, sensitivity, and care. One of the lessons I absorbed from Berlin is that listening is as important as playing.
“I always viewed having multiple paths as positive.“
You’ve expanded into conducting and festival leadership, alongside performing. How do those worlds connect for you?
Conducting, performing, and leadership all grow from the same roots. Maintaining a connection to the instrument is the source.
What keeps your passion strong after so many years in music?
Every day, I feel grateful to be surrounded by masterpieces. The feeling is a combination of excitement and respect, and that sense of wonder has never left me.
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