Some artists interpret. Others discover.
Cellist Raphaela Gromes has built a global reputation by bringing overlooked masterpieces to life.
Artist Playbook caught up with Raphaela to discuss her latest album Fortissima, artistic curiosity, and why so many compelling voices remain unheard.
“Expanding the canon means expanding our understanding of music history.”
What made Fortissima feel urgent now?
I have been discovering so many incredible women composers whose music I had never encountered.
The more I learned, the more compelled I felt to share their genius.
Which composers made you wonder, “How is this not better known?”
Henriette Bosmans and Luise Adolpha Le Beau.
I couldn’t understand why this extraordinary music doesn’t yet belong to the standard repertoire, and why I had never encountered their work during my studies.
How do you balance advocacy with artistry?
The music always comes first. These works are historically important, but they are also beautiful, moving, and masterfully written. I never record a piece simply because it fits a message.
What is most rewarding about introducing audiences to the unfamiliar?
I love seeing people fall in love with a work they have never heard before
Beyond technique, what makes a cellist’s sound stand out?
A personal sound has little to do with perfection. It comes from honesty, life experience, and the courage to tell a story in your own voice.
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