Layan Atieh is emerging as one of the defining artists of a new era in chamber music, not only for what she is building with Seraph Brass, but for the ways she is exploring connections between music and society.
Artist Playbook caught up with the Chicago-based musician to talk about her journey and what it means to make the people around you sound their best.
“There is no skill or technical barrier to being musical”
What first led you to fall in love with the horn?
Its sound, and specifically its ability to create so many different colors.
We can sound triumphant or morose, piercing or distant, bright or warm, and blend with so many different instruments and ensembles.
What are some of the major influences that shaped the artist you are today?
My biggest influences have been my teachers, who were incredibly inspiring artists as well as strong sources of support. They pushed me to prepare for and pursue every opportunity that came my way, even when it felt daunting. I would not be where I am without them.
You have a deep knowledge of political science, which you studied alongside music. How does that engaged interest in society influence your work as an artist?
I believe politics intersects with every discipline, but the arts have a unique ability to both shape culture and respond to society and political events.
The goal of practicing and performing is not just to be excellent at an instrument, but to use those skills to better serve the community you are playing for. Music can help people process tragedies and joys, expose flaws in society, and be a source of universal human connection.
As a member of Seraph Brass, what has that experience revealed to you about collaboration?
Chamber music is my favorite setting because it is a little like cooking: the more musical ideas and spices you throw into the pot, the richer the flavor becomes.
Sometimes being a supportive musician means playing softly underneath someone else, and other times it means playing strongly to bolster a colleague. Ultimately, it is about making the people around you sound their best.
Looking back, what words of advice would you give the younger Layan who was just beginning to imagine a life in music?
Be courageous and bold, especially with musicality. When I was younger, I thought I could only add phrasing and musical ideas after I had worked up the technique. Now I know to prioritize the music. Having a clear idea of the phrase can often resolve technical issues on its own.
Register for the chance to be invited to apply to The Global Artist Diploma
