STRING THEORY | Amalie Stalheim on the art of collaboration

Amalie Stalheim is one of Scandinavia’s most buzzed-about rising artists as a soloist and chamber musician.

Artist Playbook caught up with the Norwegian cellist to explore the process of on-stage collaboration.

“Preparing gives the freedom to be spontaneous on stage”

How did you beginyour musical journey?

I was first drawn to the cello’s sheer power.
I remember listening to Dvorak’s Cello Concerto in the car with my parents and being completely blown away by the instrument’s huge range. I’ve always loved the sound of the C string.

What makes chamber music such a special world?

I love team sports, and chamber music has so many similarities. Collaborating depends on trust, communication, and a shared purpose. When it clicks in rehearsal or concert, and everyone is in the same moment, it gives a feeling that’s impossible to put into words.

How do you develop your own musical voice?

Practice slowly and spend time exploring different colors and nuances. At the beginning, I simply listen to every note and keep searching until I find the sound I truly want

Your performances are often described as honest. Where does that come from?

My relationship with music has always been intuitive. Preparing gives me the ability to be present on stage, and respond to what’s happening in the moment. I think that’s where the sincerity people hear in my playing comes from.

What is something about music that only became clear with time?

There isn’t one right way to play the cello. Over the years, I’ve found my own way with the instrument and with music. Learning to trust my choices has been one of the most valuable career lessons.

Register for the chance to be invited to apply to The Global Artist Diploma

Share

More Posts ↓